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In the last thirty years or so the distinction between 'Plants' and 'Sets' seems to
have been forgotten, and both are now commonly described as 'Plants'. But they
are different. In a 'plant' the ball struck by the cue-ball enters a pocket, but in
a 'set', it is a ball touching the one struck by the cue-ball that is potted.
The two terms have existed for a long time and were well known even in 1907,
when Riso Levi described these shots in "Billiards: The Strokes of the Game."
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For a set to be 'on' an imaginary line drawn through the
centres of the touching balls needs to form a direct line to
the pocket.
When playing a set you should always aim so that when
the cue-ball makes contact it will form a straight line with
the other two balls, as if you were aiming to pot the ball
you're aiming at. If you make any other contact you may
miss the pot, and this will be explained further on.
For a plant to be 'on' an imaginary line drawn through the
centres of the touching balls, and another from the centre
of the ball to be potted and the pocket, need to form a
right-angle.
When playing a plant you have more margin of error,
but these too can be missed if you're not careful.
Either shot can give you a wonderful opportunity to
begin a break, but some are not so easily seen.
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Sometimes they're 'Hidden'...
Sometimes a Plant or Set can be 'hidden' by an intervening
ball that prevents a direct shot being played.
They most commonly occur shortly after the frame has
begun, so when there's no obvious pot to go for, make
sure you study the reds carefully. If you find one and
decide it's too risky to take on you'll need to make sure
you don't leave it for your opponent.
Another time to look carefully is after your opponent's
made a foul stroke. You don't want to make him play
again only to see him get straight down and pot one !
You will find it useful to practice these. Especially if you
rarely play English Billiards and lack the experience of playing
cannons as accurately as you'll need to to make these shots.
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..and sometimes you'll have to play 'cushion first'.
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Sometimes you'll need to play 'cushion first' as if you were
snookered, and these are the ones that most players fail to
see. They are also the easiest to miss, so if you take them
on then play with the greatest care.
Each example gives three different positions of where the
Plant or Set might be. In each case, the balls nearest the
cushion are the easiest, and are well worth an attempt.
When the balls are in the middle of the table, somewhere
around "B", they are much more difficult but may still be a
realistic proposition - especially if you know your angles.
But when the balls are at "C", they are far riskier and may
only be worth attempting if you're a long way in front or
you cannot play at any other reds.
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None of the Plants or Sets shown in this diagram can
be made if you play them normally. In each case the
red would miss the pocket by several inches.
But both Plants can be made by playing with screw. To
make the one on the left aim to hit the red slightly to
the right of centre as you see the shot on your screen.
The general belief as to why this happens is that
at the moment of contact the middle ball is trapped for
a split second, and the cue-ball spinning backwards
transfers a tiny amount to the object-ball - as if they
were cog wheels, where itis reversed into top-spin.
This top-spin then pulls the object-ball forward as it is
pushed out, and it then travels along a different line
than you would expect.
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The Sets can both be made by striking the first red on
the side opposite the pocket. This seems illogical, but
it works ! A little practice at varying distances from
the pocket will teach you how easily these can be made.
Practice these shots in different areas of the table. They
all have to be 'made' and can never be guaranteed, so
learn how to play them before you attempt any in a
competitive game.
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